Voicing The Picture:
Enticing the suspension of disbelief
This is intended for educational purposes in my classroom.
NO retransmission or use in any other manner allowed.
All copyrights are retained by the original holders. -KK
Music + Sound
From conceptualization to copyright... M4C explores the conceptual aspects of voicing picture.
Welcome to the resource section for Music For Cinema. M4C is a course redesigned and taught by Kerry Kelekovich for Columbia College Chicago/School of Media Art's re-branded Cinema and Television Arts Department.
As a veteran of both the music and film industries, Kerry served as Columbia's recording engineer in the Film & Video Dept. for most of the 1980s, while maintaining a dual-career as a multi-instrumentalist and composer. His music and post-production audio courses are offered as part of the Cinema Sound + Post concentration.
Please visit the M4C Facebook page.
3 + 1 = SOUNDTRACK (D.M.E.)
MECHANICAL | PSYCHOLOGICAL
"Foreground gives us a sense of conscience" -Hearing The Movies
The Art Of Catching
• Leitmotifs (Wagner)
EVERYTHING INFLUENCES EVERYTHING
USING LOUDNESS: TEXTURAL GREYZONES
Loudness specifically affects:
Objective vs. Subjective Reality:
VOICING YOUR PICTURE:
Structure: Foreground | Middle-ground | Background
BENDING TIME USING MUSIC & SOUND