3 + 1 = SOUNDTRACK = D.M.E.
MECHANICAL | PSYCHOLOGICAL
Underscoring The Story
"Foreground gives us a sense of conscience"
-Hearing The Movies
The Art Of Catching
• Leitmotifs (Wagner)
EVERYTHING INFLUENCES EVERYTHING
USING LOUDNESS: TEXTURAL GREYZONES
Loudness specifically affects:
Objective vs. Subjective Reality:
TEMPO (BPM) | PACE (fast/slow)
FREQUENCY (Hz) | PITCH (high/low)
AMPLITUDE (dB) | LOUDNESS (soft/loud)
HARMONIC COMPLEXITY (+/-) | TIMBRE (good/bad)
VOICING YOUR PICTURE:
Structure: Foreground | Middle-ground | Background
BENDING TIME USING MUSIC & SOUND
Music + Sound
From conceptualization to copyright...
Welcome to the resource section for Music For Cinema, a course I redesigned and continue to teach for Columbia College Chicago's Department of Cinema Art And Science. Please visit the M4C Facebook page for current postings concerning copyright, production, student job prospects, and other topics important to emerging filmmakers, bands, composers and supervisors.
NO retransmission or use in any other manner. All copyrights are retained by the original holders. This is intended for educational purposes only.
Voicing The Picture:
Enticing The Suspension Of Disbelief